Monday, November 22, 2010

47: New Mexico


It’s a player’s house, I know it; there’s magic and XP everywhere in this bitch.

I start searching the crates, the barrels … the medicine cabinet is the fucking motherload: more bottles than I can count, pills in every color of the rainbow – ambien, benzedrine, codeine, diazepam – “Are you a believer in miracles,” I sing to myself. “Da-doo una time some-thing miracles.”

I’m popping them into my mouth like skittles when the old man comes in, a huge chrome revolver in a holster on his hip. “What the fuck are you doing?” he shouts.

I give him the signal, slapping two fingers on my arm. He pulls his gun and drops into a crouch. Time for plan B, I think. “Can I get a couple of extra-large chalupas?” I ask, “And an orange coke?”

A metallic click echoes off the bathroom tile as he cocks the hammer back. “Sorry, I thought this was a Taco Bell.”

He shakes his head. “Son, do you think this is a game?” He asks. “Shit,” He stands up and looks at the gun in his hands. “What kind of world are we living in?”

“The World of Reality,” I say, but he ain’t listening.

Monday, November 15, 2010

46: Oklahoma

Dust rising from distant horizon. Pickup truck streaking along perpendicular gravel roads. Route 66 stretching south, southwest.

Cement road running through ruins. Houses falling into their foundations. Ghost towns returning to prairie.

Smoke rising from faraway refineries. Rusting oil derricks pecking at barren cornfield. Fat crows chasing the worm.

Rows of parallel lines intersecting. Some solitary farmer plowing rows of stones. This dry landscape, ever changing. His straw hat shading faded gray overalls. A scarecrow harvesting bumper crops of nothing.

White clouds turning gray, coalescing. Raindrops kicking up footstep puffs of dust.  Dark sky spiraling down, funneling. Dirty road turning muddy in the mirror. A tornado slashing unmarred plains like calligraphy.


Country giving way to city. Buffalo retreating from the roadside. Trees turning back into houses.

Round red barn crouching, windowless. Glowing soda bottle reaching 66 feet high. Giant metal crucifix standing empty.

Turning south into Oklahoma City. Golden sunlight falling on buildings, reflecting pools. Countless chairs lying in rows.

Red traffic lights turning green. All-glass building complex reflecting all the others. Elevated walkway spanning the street. Skyscraper shadows standing as still as scarecrows.  Sundials marking movement of space and time.

City limits decaying into suburbs. Telephone poles and wires springing up alongside. Passing Will Rogers World Airport. Predator drone floating in the cornflower sky. Listless guard watching the horizon for tornadoes.


Driving along route 66 again. A lonely highway chasing the setting sun. A hitchhiker looking westward, squinting.

Following a route on GoogleMaps. The Great Plains forming an upturned palm. Oklahoma’s finger pointing the way.

Driving an unmarked black sedan. Cameras automatically snapping nine frames at once. Making panoramas of the states.

Monday, November 8, 2010

45: Utah

In the other room Bryce is crying. I rub my eyes, waiting for the Oxy to kick in. “God, just shut up,” I whisper. Why isn’t John home yet? He knows I’ve got a reading to finish. The words have all run together. Where the hell was I?

… and while recent studies have shown the popularity of online pornography in Utah (Edelman 2009), the topic of sexuality has been of interest there from even before the states conception, as can be seen in this early proto-Harlequin:

“Message for you from Deseret, Miss Smith.” She took the piece of paper from the telegraph operator:

“Take off your petticoat stop now ride me like the transcontinental railroad.”

“Oh John,” she swooned. The Western Union man stepped forward to catch her as a wave of pleasure spread outwards from her sacred wound.

What is captured in this scene is both the tension between spirituality and sexuality, between technology and distance peculiar to the Utah Mormon experience …

Bryce starts crying again. I lean back in the chair and rub my swelling belly. John still isn’t home. “Who do I need to massacre to get a bottle of gin and an abortion in this town?”

Monday, November 1, 2010

44: Wyoming



That body tied to a buck fence, beaten, bloody: a roadside scarecrow.

Scared, cowed; nobody asked and you never told. Now dress for the day. Put your camouflage on. Look in the mirror: Are you a victim or an actor? Is that a costume or a uniform? What are you fighting for? Who are you hiding from?

Monday, October 25, 2010

43: Idaho


“I just had the best idea.”


“Well, remember when I told you the Amish were coming?”


“On account of I read about it in the paper. Anyway, I got to thinking: sure they might find a little farmland here and there today, but what they really need is a home they can take west on the Oregon Trail tomorrow. That way when the evils of the modern world and the coyotes come a-calling they can just pick up and move on.”


“Not just any mobile homes; log cabins. Just like our Founding Fathers, and like the settlers of old. This is bigger than you and me and Boise. This is the American Dream all over again. This is Manifest Destiny.”


“Look it up. Anyway, we’ll worry about all the details later. The slogan is the best part. Just listen to this: Horsepower Houses – As Green As Grass.”

Monday, October 18, 2010

42: Washington


Jay kicks the back of your chair again. “Dyke,” he whispers, just loud enough for you to hear.

You keep doodling without looking up. It’s hard being a vampire, you think, for like the zillionth time this year.

A spitball flies by and lands on the floor. Monique giggles and you hiss at her.

The problem isn’t that no one understands you, it’s that they think they do. You’ve known you were destined for immortality since you read Anne Rice when you were 10, but since then your subculture has been totally co-opted, your own identity subsumed under a trend that you’re outside of.

It started with those stupid movies, the ones where the vampires all have dramatic hairdos and preppy clothes, and their pale skin sparkles like they shower in that stupid glitter from Claire’s. Since then instead of being a freak, you’ve become a vampire fashion victim.

The wall clock ticks one minute closer to 7:30. You tap your pointed pewter rings on your desk, rolling them – clickclickclick – like claws on linoleum. In the corner of your eye, Craig is wadding up another spitball. You sneer and put your pen to paper.


The bell dies away. “We have a new member of our class today,” Mrs. Schreiber says, after everyone has more or less settled down. “I’d like you all to say hello to your new teaching assistant, Mr., um …” She glances at a piece of paper. “Collins.”

“Cullen,” a man’s voice says, softly, but in a way that cuts through the classroom chatter. You look toward the door. An impossibly handsome man is standing there, auburn-haired and dressed like a cloudy sky, with pale white skin and piercing blue eyes. He looks at you and smiles. “Call me Edward,” he says. Your blood runs hot in your veins.

He takes a seat by Mrs. Schreiber’s desk, and class continues more or less like normal, except every time you look, he’s watching.

Or, rather, every time he looks up, you’re the one watching him.


The bell rings, followed by the shuffling cacophony of a classfull of students fleeing their desks as quickly as possible. By the time you’ve finished the last sentence and closed your notebook, even Mrs. Schreiber has vanished.

You reach down for your backpack, and when you look up Edward is watching you again. He meets your gaze for a moment, before dropping his eyes to the leather-bound book in his hands. You stand and walk toward him. “What are you reading?” you ask.

“The Götzen-Dämmerung.” he says. “It’s about hammering,” he adds, smirking.

“Thus Spoke Zarathustra,” you say, rolling your eyes.

He laughs and you sit on the corner of his desk. “So what’s an interesting girl like you doing in BHS?” he asks.

“Wishing I could get the hell out of here.”

“Everything ends eventually.”

“Does it?” You glare at him pointedly.

He coughs and looks down at his book again. “Anyway,” he says, “aren’t you a little young to be reading Nietzsche?”

“Aren’t you a little old to be a TA?”

He looks up just like you wanted. You lean in and kiss him, biting down on his lip, letting the littlest trickle of his blood flow into your mouth. You can see the cracks in his ice blue eyes. You see yourself reflected in them.

After what seems like an eternity, he breaks away. “I should go,” he says, standing hurriedly. “I’ve got to call Bel… um, my friend.”

You follow him to the classroom door and watch him walk down the hall. “This isn’t over,” you say.

Monday, October 11, 2010

41: Montana


The wolf is dead by the time I reach it, its eyes already going glassy, its tongue lolling out. The bullet hole is a spot of lichen, spreading. A thin red line runs down from its mouth like a riverbed.

I breathe in, deep. There’s a chill on the mountain air, sweet to the tongue and clear.

I sling my rifle and kneel down, run my fingers through the matted fur. I taste the blood that coats my hand, rust red.

I throw up on the rocks beside the body, then sit down and watch the clouds. The world spins. Is this what it’s supposed to feel like?